The November Project in 1995 is puncuated by two trips: to Charleston, West Virginia and to Grayling, MI. Overall this year the project consisted of photographing small, tabletop still-life arrangements of assorted found objects. In several cases only minor changes were made so that the viewer has to work to notice them. This tactic was a way of questioning what Art is and what it could be. It also builds tension from page to page because natural anticipation is not fulfilled.
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